Spotlight On: Donna Littlejohn, TBSSS alumni

Pictured: Donna Littlejohn working on a sandstone sculpture.

Name: Donna Littlejohn

What years did you attend classes at TBSSS?

I attended 1995 - 2001 (I think). I began classes in Broadway and then moved with the Studio to Erskineville.

What was unique about your TBSSS experience?

I came to classes with Tom later in life, in my 40's, after art school, personal practice and further studies in drawing and lithography. Everything I had experienced and learnt previously amalgamated into this art form. I knew I had found my mode of expression. Tom not only taught methods (technique was a dirty word) and ways of doing and making but also a treatise on the language of sculpture, integrated with historical perspectives. The tea table, laden with maquettes and natural forms, was a place of political and philosophical discussions. TBSSS provided a well rounded education, extending from Tom's sincerity, passion, beliefs and values.

What was your first impression walking in to TBSSS at Broadway?

Climbing the stairs at Broadway was an ascension into a quiet and contemplative space, albeit amidst the noisy and busy Broadway. At the time Dan (Dominguez) was working on his Crucifix and Ingrid (Morley) was working on The Stations for Rookwood Cemetery. The floor was divided into different work areas with the tea table in a central position. Light streamed in from above and to the side. Students were quietly working. Tom's sculptures were distributed throughout, along with student work in progress. You looked out the windows onto surrounding buildings and high rises. It was a place where you connected with "the deep spring inside of you", to make something concrete from your inner world.

What was your first impression of Tom?

Tom was curious, interested and gave you an insight into the offerings of TBSS. He challenged you.

What is your fondest memory of Tom and the Studio?

Tom, Margo and all those at the studio were family. Tom was committed to every student. He wouldn't give up on anyone, pushing them to reach heights they didn't realise they were capable of.

How have your studies at the TBSSS prepared you for your practice?

At TBSS I developed an understanding of sculptural language, the beauty of shape and form. Also learnt ways and methods of working, how to mould, how to cast, how to colour, how to use tools. I have been able to apply what I have learnt to the restoration of antique religious statues. A steady stream comes in from Catholic education and churches. These mainly plaster casts, have broken bits from falls and cracked paint due to heat and humidity.

Detail of a limestone sculpture by Donna.

What was your favourite medium to work in?

I love working with clay and plaster but now I am really appreciating stone and the way it reduces you to simplification. There is a sandstone quarry near where I live, Capricorn Sandstone.

What lessons / skills / concepts have stayed with you from your time at TBSSS? 

A memorable quote of Tom's - "Make the positives and let the negatives look after themselves" There is a tendency to make gashes for negatives when beginning. "Taper the shape" A tapered shape is much more interesting and aesthetically pleasing. There are many more for which I need to be prompted. Tools - the timber mouse for shaping clay. I remember the detail Tom could get with the press or push of his finger. Demonstration was a crucial part of learning.

What inspires your practice today?

The natural world where I live on the Capricorn Coast in Central Queensland.

Anything else you would like to share?

I have deep gratitude for the space that Tom manifested. It is no small feat for Margo, the teachers, administration, the City of Sydney Council and all the volunteers to keep this revered space alive. A place like this is so necessary in today's world, for people to connect with each other face to face.

Thank you Donna!