Spotlight On: Wendy Black, sculptor, TBSSS alumni & teacher
Wendy carving marble in the Studio.
Name: Wendy Black
What years did you attend classes at TBSSS?
I began attending classes at Broadway in 1997, and teaching in 2003/4.
What was unique about your TBSSS experience?
I love the creative energy in the studio, you can be inspired and encouraged by what everyone else is doing. Even though each student is working on very different projects in different media there’s a shared enthusiasm for sculpture and art in general. The outside world is all but forgotten for the hours spent here.
What was your first impression walking in to TBSSS?
I loved the staircase at Broadway, it was an old timber spiral staircase with a pulley lift through the centre. As you climbed up the to top floor you ascended into another world, one of creative possibility.
What was your first impression of Tom?
I think I was a little scared at first, his piercing stare warned you that he wouldn’t tolerate nonsense, the knowledge he was sharing has a long tradition going back to the European masters, so listen up!
What is your fondest memory of Tom and the Studio?
Sitting down at morning tea and listening to him talk and discuss his art, politics, religion. It was a very special time and I learnt so much about Australian culture.
How have your studies at the TBSSS prepared you for your practice?
My practice of sculpture has been totally informed by what I learnt from Tom.
What was your favourite medium to work in?
I don’t really have one, I like to explore and have a go at everything.
What lessons / skills / concepts have stayed with you from your time at TBSSS?
I’ve learnt so many skills but I think the most important is to look, look, look, then having observed and understood how it works then decide how to create that form in your chosen media.
What inspires your practice today?
Tell us about the works you are exhibiting as part of the 50th exhibition:
‘Hard Days Night’ (pictured above left)
This sculpture came out of a life study, not long after I began teaching.
‘Malkia’ (Queen in Swahili) (pictured above right)
Portraiture is a particular love of mine, especially with a model who is as a warm, lively, beautiful as Benedicta. She projected such a sense of majesty I thought she looked like a Queen.
Anything else you would like to share:
I am grateful for the boundless grace and patience shown by Mel and Tharini in the TBSSS office, and the unwavering support of the Board.
Thank you Wendy!
To see more of Wendy’s work click here, or find her on Instagram.
